Michaelis had seized upon Clifford as the central figure for a play; already he had sketched in the plot, and written the first act. For Michaelis was even better than Clifford at making a display of nothingness. It was the last bit of passion left in these men: the passion for making a display. Sexually they were passionless, even dead. And now it was not money that Michaelis was after. Clifford had never been primarily out for money, though he made it where he could, for money is the seal and stamp of success. And success was what they wanted. They wanted, both of them, to make a real display...a man’s own very display of himself that should capture for a time the vast populace.

It was strange...the prostitution to the bitch–goddess. To Connie, since she was really outside of it, and since she had grown numb to the thrill of it, it was again nothingness. Even the prostitution to the bitch–goddess was nothingness, though the men prostituted themselves innumerable times. Nothingness even that.

Michaelis wrote to Clifford about the play. Of course she knew about it long ago. And Clifford was again thrilled. He was going to be displayed again this time, somebody was going to display display him, and to advantage. He invited Michaelis down to Wragby with Act I.

Michaelis came: in summer, in a pale–coloured suit and white suede gloves, with mauve orchids for Connie, very lovely, and Act I was a great success. Even Connie was thrilled...thrilled to what bit of marrow she had left. And Michaelis, thrilled by his power to thrill, was really wonderful...and quite beautiful, in Connie’s eyes. She saw in him that ancient motionlessness of a race that can’t be disillusioned any more, an extreme, perhaps, of impurity that is pure. On the far side of his supreme prostitution to the bitch–goddess he seemed pure, pure as an African ivory mask that dreams impurity into purity, in its ivory curves and planes.

His moment of sheer thrill with the two Chatterleys, when he simply carried Connie and Clifford away, was one of the supreme moments of Michaelis’ life. He had succeeded: he had carried them away. Even Clifford was temporarily in love with him...if that is the way one can put it.

So next morning Mick was more uneasy than ever; restless, devoured, with his hands restless in his trousers pockets. Connie had not visited him in the night...and he had not known where to find her. Coquetry!...at his moment of triumph.

He went up to her sitting–room in the morning. She knew he would come. And his restlessness was evident. He asked her about his play...did she think it good? He had to hear it praised: that affected him with the last thin thrill of passion beyond any sexual orgasm. And she praised it rapturously. Yet all the while, at the bottom of her soul, she knew it was nothing.

‘Look here!’ he said suddenly at last. ‘Why don’t you and I make a clean thing of it? Why don’t we marry?’

‘But I am married,’ she said, amazed, and yet feeling nothing.

“Our own colours, green and white. Green open, white

shut. Main stair, first corridor, seventh right, green baize.

Godspeed. D.

It is a woman’s writing, done with a sharp-pointed pen, but the address is either done with another pen or by someone else. It is thicker and bolder, as you see.”

“A very remarkable note,” said Holmes, glancing it over. “I must compliment you, Mr. Baynes, upon your attention to detail in your examination of it. A few trifling points might perhaps be added. The oval seal is undoubtedly a plain sleeve-link — what else is of such a shape? The scissors were bent nail scissors. Short as the two snips are, you can distinctly see the same slight curve in each.”

The country detective chuckled.

“I thought I had squeezed all the juice out of it, but I see there was a little over,” he said. “I’m bound to say that I make nothing of the note except that there was something on hand, and that a woman, as usual, was at the bottom of it.”

Mr. Scott Eccles had fidgeted in his seat during this conversation.

“I am glad you found the note, since it corroborates my story,” said he. “But I beg to point out that I have not yet heard what has happened to Mr. Garcia, nor what has become of his household.”

“As to Garcia,” said Gregson, “that is easily answered. He was found dead this morning upon Oxshott Common, nearly a mile from his home. His head had been smashed to pulp by heavy blows of a sandbag or some such instrument, which had crushed rather than wounded. It is a lonely corner, and there is no house within a quarter of a mile of the spot. He had apparently been struck down first from behind, but his assailant had gone on beating him long after he was dead. It was a most furious assault. There are no footsteps nor any clue to the criminals.”

“Robbed?”

“No, there was no attempt at robbery.”

“This is very painful — very painful and terrible,” said Mr. Scott Eccles in a querulous voice, “but it is really uncommonly hard upon me. I had nothing to do with my host going off upon a nocturnal excursion and meeting so sad an end. How do I come to be mixed up with the case?”

“Very simply, sir,” Inspector Baynes answered. “The only document found in the pocket of the deceased was a letter from you saying that you would be with him on the night of his death. It was the envelope of this letter which gave us the dead man’s name and address. It was after nine this morning when we reached his house and found neither you nor anyone else inside it. I wired to Mr. Gregson to run you down in London while I examined Wisteria Lodge. Then I came into town, joined Mr. Gregson, and here we are.”

“I think now,” said Gregson, rising, “we had best put this matter into an official shape. You will come round with us to the station, Mr. Scott Eccles, and let us have your statement in writing.”